Movies results for "om-sai-prakash"
Nadamadum Silaigal|
1982
Chadastapu Mogudu|
1986
Yaava Janmada Maitri|
1972
Main Aur Mera Haathi|
1981
Main Aur Mera Haathi
1981 | 135 min
Wrongly imprisoned for a crime he did not commit in his youth, Ram seeks vengeance against Teja. Upon his release from prison, Ram changes his name to Raj and gets employed by Teja. Teja finds out that Ram loves Julie and goes to meet her, only to find out that she does not know any man by the name of Ram, and when shown a photograph, she identifies him as Raj. Angry with Ram for concealing his true identity, and for attempting to avenge himself, Teja has Ram imprisoned, and the only one who can save Ram is an elephant.
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Subtitles:English, ArabicBanjo|
2016
Banjo
2016 | 130 min
Set in the by lanes of Mumbai, the story introduces us to four band members, including Taraat, who plays banjo but are embarrassed to flaunt their talent. Enter Chris, a DJ from the US, who's excited to work with the band as is looking forward to competing in an international music championship. Taraat meets Chris as a tour guide and secretly falls in love with her. However, she is unaware that he s a part of the band too. The rest of the story shapes an exciting ride racing through the tunnels of love, high-octane action, drama and foot-tapping music!
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Subtitles:English, ArabicNenja Thottu Chollu|
1982
Hosa Ale|
1991
Hosa Ale
1991 | 125 min
Hosa Ale is a 1991 Indian Kannada film, directed by G N Shivarudrappa, N Subhash Chandran and produced by G Mahadevappa, G N Shivarudrappa. The film stars Anantharam Maccheri, Sharapanjara Iyengar, Ravikiran and Heera Singh in lead roles. Music of the film was composed by Madan Mallu.
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Subtitles:EnglishPhoenix|
1976
Brahmanna|
1999
Barsaat Ki Raat|
1960
Barsaat Ki Raat
1960 | 142 min
The story features a number of innovative themes while maintaining the basic form of a love story. It has particularly strong female characters who are independent-minded and choose their own loves and destiny. Conflicts are not so much between the wishes of the parents and children about whom the children will marry, as is a common theme in Indian movies, but on the more complex level of conflicts among the main characters and the duplicitous signals men and women send each other. The movie glorifies the lives of "singing girls" not often regarded highly in Indian society. Although it is set with Muslim characters, the movie seamlessly shows the universality of sensual love.
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Subtitles:English, ArabicBava Maradallu|
1994